Quantcast
Channel: WTTW Chicago
Viewing all 9232 articles
Browse latest View live

'The Woman in White' Recap: Episode 4

$
0
0
Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin Pictures
Sir Percival and Count Fosco conspire together to get money via Laura. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin Pictures

The Woman in White airs Sundays at 9:00 pm and is available to stream. Recap the previous episode here.

Marian has suspected that Sir Percival and Count Fosco are scheming against Laura, and now she has proof. Through a half-open door, she overhears the Count warning Sir Percival of Marian’s suspicions – but then he closes it. Desperate to hear more, Marian climbs onto the roof and perches on a balcony above the room’s open window. Sir Percival tells the Count that he must find Anne Catherick; he’ll lose everything if he doesn’t, because she knows his secret. And he also needs Laura’s inheritance, because he’s so deeply in debt. He would get it if Laura were to die. And the Count would receive a windfall, too, since his wife’s inheritance is tied up in Laura’s estate as well.

Deafening rain begins to thunder down. Laura and Anne bear a striking resemblance to each other, the Count points out. Why not use that to their advantage? The rain is too loud for Marian to hear anything more.

The next day, Marian takes ill – perhaps from the exposure. She’s so feverish she can barely speak, and so is unable to warn Laura of the plot against her. Soon Laura too is feeling faint, though not of natural causes. Countess Fosco has added something to her tea that knocks her unconscious.

Meanwhile, the Count goes in place of Laura to meet Anne at the boathouse. Instead of Anne, he finds the woman who raised her – Anne is too sickly to come. He ingratiates himself and claims he’s a doctor, then offers to bring Anne to London, where he can treat her. She accepts.

The next day when Laura finally regains consciousness – the housekeeper has to sprinkle water on her face to rouse her – the Count, Marian, and all the staff are gone. Sir Percival had sent the housekeeper on an errand, so she’s as confused as Laura. Laura confronts Sir Percival, who says he dismissed the staff because he’s closing up most of the house for a while. While Laura “slept,” Marian made a sudden recovery and decided to join the Count on his trip back to London, with plans to continue on to Limmeridge.

Olivia Vinall as Laura Fairlie in The Woman in White. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin PicturesLaura is left alone with Sir Percival, the housekeeper her only friend. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin Pictures

Laura doesn’t believe it, and makes plans to follow Marian. Sir Percival allows her to leave, but insists that she stop in London and stay with the Count on the way to Limmeridge – the journey is too long otherwise. Laura distrusts the Count, and writes to her old caretaker, Mrs. Vesey, asking to stay with her instead. Before she leaves, she tells Sir Percival that she may not ever come back.

Count Fosco is waiting for her at the train station in London. He tells her that Marian is still at his house; he’ll take Laura to see her. But when she arrives there she is met by two men with odd questions: where were you brought up, who is your mother? Confused, she answers. Satisfied, they leave.

Fosco gives Laura a spiked cup of tea, telling her that Marian is asleep. And once again, Laura passes out.

Unsurprisingly, the Count is lying about Marian – she never left Blackwater. The housekeeper hears a noise from a locked room in an unused wing of the estate and finds a lone servant girl tending to a still-feverish Marian. Appalled, the housekeeper immediately goes to Sir Percival and tenders her resignation. He tells her not to pry into his personal affairs; Marian and Laura are both sick in the mind and require unique attention. The housekeeper decides to stay at Blackwater until Marian is well enough to leave, fearing for her health if she is left alone with no one to nurse her.

Therefore, it is the housekeeper who brings Marian the devastating news that Laura has died.

Marian goes to London to meet with her lawyer, Mr. Gilmore, who has suffered a stroke; a colleague is in charge of Laura’s affairs in his stead. He gives Marian a letter: Walter has returned from Honduras.

Marian has the dreadful task of informing Walter of Laura’s death, and, suspicious of the cause, the two return to the lawyer. Marian heard the Count and Sir Percival plotting to kill Laura; surely this is murder. But the coroner said Laura had a weak heart (she didn’t) and died under natural circumstances.

Olivia Vinall as Laura Fairlie in The Woman in White. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin PicturesLaura suffers a terrible fate. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin Pictures

Marian and Walter need another lawyer to investigate the death, but don’t have the funds to pay for one. Walter’s mother suggests they go to Erasmus Nash, a trustworthy friend of Walter’s father. He’s a scrivener (a scribe or notary), not a lawyer, but he’ll do. He agrees to interview all involved witnesses.

Nash is the man we’ve been seeing questioning everyone in flash-forwards. He eventually uncovers a clue: the woman who raised Anne Catherick reveals that Anne’s mother didn’t cheat with any random man: it was Sir Percival. Anne was probably his child, and he and her mother put her in an asylum to keep the secret from coming out.

Marian and Walter need to find Anne; she could tell them more about Sir Percival. They search all the asylums near London, offering bribes for any information. Eventually they find her, but are barred from seeing her: she’s in solitary confinement, not allowed to interact with anyone from the outside world.

Marian sneaks into a gallery where family members can watch from a balcony as the asylum inmates eat. She spots Anne – and realizes that it’s Laura. Anne must have died of illness, and Fosco and Sir Percival passed her body off as Laura’s, putting Laura in the asylum by claiming that she was Anne.

It’s a traumatized and anesthetized Laura, however, as Marian and Walter discover when they bribe an asylum worker to break her out. She has been kept in a strait jacket and pummeled whenever she denied that she was Anne, and the abuse has taken a mental toll. Marian brings Laura to Limmeridge to recover, but Laura’s uncle refuses to admit them, believing Laura is dead. Count Fosco had written, warning that Anne might try to come to Limmeridge and pass herself off as Laura. Despite Marian’s protestations, Mr. Fairlie kicks them out.

The Woman in White
Recap

Giving Tuesday

$
0
0
WTTW Giving Tuesday

Coming Soon

 

'Making a New American Nutcracker' wins the 2018 Chicago/Midwest Emmy Award® for Best Documentary, Cultural

$
0
0

Making a New American NUTCRACKER, produced by WTTW and The Joffrey Ballet, has been honored with a 2018 Chicago/Midwest Emmy Award® in the category of Best Documentary, Cultural. The award was accepted by WTTW producer Daniel Andries on Saturday, November 10 at the award ceremony.

Making a New American NUTCRACKER, which premiered in November 2017 on WTTW11 and the companion website, wttw.com/nutcracker, was also offered to PBS stations nationwide for the upcoming holiday season. The documentary and website went behind the scenes to tell the story of The Joffrey Ballet’s new interpretation of the beloved holiday classic, set on the fairgrounds of Chicago’s 1893 World’s Columbian Exposition. Audiences were introduced to the creative talents who made it happen, including Tony Award®-winning choreographer Christopher Wheeldon; Caldecott Medal-winning author Brian Selznick; Joffrey Ballet artistic director Ashley Wheater, and many others. The film also explored the history of the ballet, its success in the United States following the Second World War, and the history of the city of Chicago.

Making a New American NUTCRACKER will return to WTTW11 (11.1) and WTTW Prime (11.2) during the holiday season beginning Thursday, December 20 at 8:00 pm. The documentary can also be viewed at any time on wttw.com and through the PBS/WTTW video app.

“It was an unforgettable and inspiring experience to work with the talented people at the Joffrey on this unique production, which preserved the magical quality of the original story while also shining a spotlight on the vital role that local immigrants played in the creation of the Fair,” said Andries.

Making a New American NUTCRACKER was produced by Daniel Andries and narrated by actress Neve Campbell. Executive Producer: Daniel Soles; Associate Producers: Tom Orland and Kaitlynn Scannell. Director of Photography: Tom Siegel. Editor: Paul Thornton. Rehearsal and performance footage shot by Big Foot Media.

Making a New American NUTCRACKER was made possible through the generosity of The Grainger Foundation of Lake Forest, Illinois.

WTTWis the PBS member station in Chicago, committed to creating and presenting unique media content across distinct television and digital channels – WTTW11, WTTW Prime, WTTW Create/WTTW World, WTTW PBS Kids 24/7, wttw.com and the PBS/WTTW video app. Recognized for award-winning journalism and local productions such as Chicago Tonight, Chicago River Tour, Check, Please!; digital-first series such as Urban Nature, Foodphiles, and Chefs Off the Clock; and the national productions 10 That Changed America and Nature Cat, WTTW presents the very best in public affairs, arts and culture, nature and science, history and documentary, and children’s public media content. Connect with WTTW on Facebook, Twitter, and YouTube.

The Joffrey Ballet is a world-class, Chicago-based ballet company and dance education organization committed to artistic excellence and innovation, presenting a unique repertoire encompassing masterpieces of the past and cutting-edge works. The Joffrey is committed to providing arts education and accessible dance training through its Joffrey Academy of Dance and Community Engagement programs. Connect with the Joffrey on Facebook, Twitter and Instagram.

Release Location: 
Chicago, IL

What to Stream This Month

$
0
0
Comanche tribal members Jhane Myers and Philip Bread prepare for their annual fair outside of Lawton, Oklahoma. Photo: Providence Pictures
Comanche tribal members Jhane Myers and Philip Bread prepare for their annual fair outside of Lawton, Oklahoma. Photo: Providence Pictures

Find our streaming recommendations for the previous month here.

Do you ever wish you could binge-watch your favorite PBS programs? If you’re a member you already can; if not, it’s easy to join. With WTTW Passport, members can watch a huge library of PBS and WTTW programming on-demand on any streaming device. To learn more about WTTW Passport, check out our dedicated site. You can activate or sign up for Passport here.

Each month we’ll bring you a few Passport picks. November is Native American Heritage Month, so we’ve included some important documentaries on America’s first peoples. This Veteran’s Day, November 11, was also the 100th anniversary of the World War I Armistice, the perfect time to learn from that devastating war and remember the millions of people who died in it. And, of course, Thanksgiving is approaching, so get some recipe advice and take a look back at the first European settlers.

Native American Heritage Month

The four-part series Native America ended yesterday, but you can still stream it and learn about the incredible civilizations built up hundreds of years ago in this hemisphere. And take a look at one of the earliest American people we have discovered remains for, in NOVA: First Face of America.

Kodiak Alutiiq is an Alaskan Native language of which there are now fewer than 40 remaining fluent speakers. Learn about the efforts of four women to save the language and the traditions of their people by passing them on to young people in the documentary Keep Talking.

 

The federal government has long struggled with and failed in its dealings with Native Americans. Learn about one little-known part of the government's injust treatment of Native Americans in Unspoken: a boarding school system meant to achieve assimilation by education and the stripping away of any remnant of Native culture or tradition.

For a less broad and more personal look at Native Americans, try two profiles of remarkable women: Medicine Woman, about Susan La Flesche Picotte, America's first Native doctor, and Mankiller, about Wilma Mankiller, the Cherokee Nation's first female Principal Chief.

Finally, take a look at Chicago's Native American community here.

World War I

American Experience's three-part The Great War examines the war from the perspective of America by telling the stories of those participants who have often been left out of history, from Native American code talkers to Latino and African American soldiers to suffragists.


Thanksgiving

Another American Experience, The Pilgrims, tells the tale of some of America's first European settlers as they fled England for this country 400 years ago. 

If you're hosting Thanksgiving and need help roasting your turkey, Julia Child is here to help, in a special episode of The French Chef all about turkeys!

What to Stream

13 (And More!) Things to Do In Chicago For the Holidays

$
0
0
Wreathed Lion. Photo: Art Institute of Chicago
Photo: Art Institute of Chicago

The holiday season is upon us, as going into any store and hearing the music will inform you. If you want to make sure that the most wonderful time of the year is truly full of wonder, Chicagoland offers plenty of magical opportunities, from tree lightings to markets to parades. Taking public transportation there? Try to catch a ride on the CTA holiday train or bus.


105th Annual Christmas Tree Lighting Ceremony

November 16, 6:00 pm
Millennium Park’s Wrigley Square, Michigan Avenue and Randolph Street

Photo: City of ChicagoPhoto: City of Chicago

It all kicks off tonight, with the lighting of a 60-foot Norway Spruce in Millennium Park Hamilton star Miguel Cervantes emcees an event featuring music, fireworks at 6:30pm, and, of course, Santa. The ice-skating rink at Millennium Park also opens for the season today (through mid-March), and will feature themed, dress-up skate nights most Thursdays. And if you want to get a start on your holiday shopping, check out the Millennium Park Art Market, which takes place November 16-18 from 11:00 am through 7:00 pm and features goods crafted by students from the School of the Art Institute of Chicago, Columbia College, and After School Matters.


Magnificent Mile Lights Festival

November 17
Pioneer Court, 401 N. Michigan Avenue

Photo: The Magnificent Mile/FacebookPhoto: The Magnificent Mile/Facebook

If one tree-lighting ceremony wasn’t enough for you, enjoy another at Pioneer Court outside the Tribune Building on Saturday. The day starts off with live music and holiday activities before an extravagant parade down Michigan Avenue from Oak Street to the Chicago River begins at 5:30 pm. It culminates in another fireworks show over the River at 6:55 pm.


Christmas Around the World and Holidays of Light

November 15 through January 6 (closed Thanksgiving Day and Christmas Day)
Museum of Science and Industry, 5700 S Lake Shore Drive

Photo: J.B. Spector/Museum of Science and Industry, ChicagoPhoto: J.B. Spector/Museum of Science and Industry, Chicago

It’s trees galore at the Museum of Science and Industry in their beloved annual holiday display of more than 50 trees decorated to represent the holiday traditions of cultures from around the world. Every weekend features ornament-making workshops and performances by the myriad cultural groups represented by the trees.


Illumination: Tree Lights at The Morton Arboretum

November 17 through January 1 (closed on Mondays other than December 31, as well as Thanksgiving Day, Christmas Eve, and Christmas Day), beginning at 4:30 pm each night
Morton Arboretum, 4100 Illinois Route 53, Lisle, IL

Photo: Morton ArboretumPhoto: Morton Arboretum

See trees of all kinds – not just evergreens – lit up in nature at the Morton Arboretum west of Chicago. You’ll find dynamic light displays, interactive sculptures that respond to touch, holiday music, and warm drinks along the one-mile walk through the snowy grove.

Note: Tickets are required.


Chicago Thanksgiving Parade

November 22, 8:00 am to 11:00 am
State Street, from Congress Parkway (now Ida B. Wells Drive) to Randolph Street

Photo: Claudia Currie/Thanksgiving Day ParadePhoto: Claudia Currie/Thanksgiving Day Parade

You’d be forgiven for thinking that Thanksgiving had already happened, given all the Christmas-themed events that took place the weekend before that feasting holiday, but don’t worry, there’s still a parade full of floats, balloons, dancers, marching bands, and more to enjoy on Thanksgiving Day.


The Wreathing of the Lions and Holiday Thorne Rooms at the Art Institute of Chicago

November 23, 10:00 am, see museum hours for Thorne Rooms
111 S. Michigan Avenue

Mrs. James Ward Thorne. E-14: English Drawing Room of the Victorian Period, 1840–70 (detail), about 1937. Gift of Mrs. James Ward Thorne. Photo: Art Institute of ChicagoPhoto: Art Institute of Chicago

Celebrate a fond tradition with dancers from the Joffrey Ballet’s Nutcracker, a mariachi-style band, and a free cup of hot cocoa as the Art Institute’s iconic lions get their festive wreaths. Then head inside the museum to check out the holiday decorations in the ornate miniature Thorne Rooms.


Caroling at the Bean

Fridays, November 23 through December 14, plus Wednesday, December 12, 6:00 pm
Cloud Gate in Millennium Park

Caroling at the Bean/Cloud Gate. Photo: City of ChicagoPhoto: City of Chicago

Either listen or join in classic Christmas songs in the heart of Chicago as various choral groups lead a round of boisterous caroling. Groups include community choirs as well as professional ensembles like The King’s Singers.


Chicago Botanic Garden’s Wonderland Express

November 23 through January 6 (closed Christmas Day; check website for hours and early closings)
Chicago Botanic Garden, 1000 Lake Cook Road, Glencoe, IL

Chicago Botanic Garden's Wonderland Express trains. Photo: Chicago Botanic GardenPhoto: Chicago Botanic Garden

Watch as model trains navigate through an impressive landscape of plants, Christmas trees, snow, and incredible miniature versions of Chicago landmarks made out of wood, twigs, acorns, and other natural materials. On certain days you can also catch caroling and ice sculpting. Make sure to check back on our website for a behind-the-scenes video on how the exhibition is set up and maintained, in the next couple weeks!

Note: Tickets are required.


Lincoln Park ZooLights

November 23 through January 6
Lincoln Park Zoo, 2001 N. Clark Street

Lincoln Park ZooLights. Photo: Lincoln Park ZooPhoto: Lincoln Park Zoo

Enormous themed light displays, holiday shopping and treats, ice sculpture carving, brew nights for adults, live music, photos with Santa, all in beautiful Lincoln Park at the zoo. Visit the website for schedule and details about event nights.


Small Business Saturday

November 24
Lincoln Square and Ravenswood

Caroling in Lincoln Square. Photo: Lincoln Square Ravenswood Chamber of CommercePhoto: Lincoln Square Ravenswood Chamber of Commerce

Plenty of stores and neighborhoods encourage local shopping on Small Business Saturday with deals and events, but Lincoln Square and Ravenswood also add in holiday festivities such as live ice sculpture carving, caroling, Santa photos, a tree lighting, and hot spiced wine and cider.


Roscoe Village Winterfest

December 1-2
Roscoe Village

Winterfest. Photo: Roscoe Village Chamber of CommercePhoto: Roscoe Village Chamber of Commerce

Follow up one holiday-filled North Side neighborhood jaunt with another the next weekend, at Roscoe Village’s Winterfest. A tree lighting, holiday trolley rides, caroling, Santa and Mrs. Claus, shopping, and drinks draw you to the neighborhood; while you’re there, don’t miss the decorations on nearby houses, which are known for going all-out with their lights.


Lights Along King Drive

December 1, 8, 9, and 15
Martin Luther King Drive (see website for specific locations)

Image: My Block My Hood My CityImage: My Block My Hood My City

Instead of just watching holiday lights turn on, join in the fun of putting them up! My Block My Hood My City is calling for volunteers to decorate Martin Luther King Drive from 51st Street to 87th Street in order to make the South Side thoroughfare shine like Michigan Avenue. The festive atmosphere will be supplemented by cocoa, food, and music. Can’t make it? Donate lights and ladders!


St. Lucia Festival of Lights

December 13
Andersonville along Clark Street, kicks off at the Swedish American Museum, 5211 N. Clark Street

St. Lucia Festival of LightsSt. Lucia Festival

The Feast of Saint Lucia is an annual Swedish tradition in which a girl clad in a white robe and red sash with a candle-filled wreath on her head leads a procession and song through the winter dark. Andersonville celebrates the holiday with just such a procession, followed by a telling of the Lucia legend, family activities, and special holiday treats.


Holiday Markets

Christkindlmarket. Photo: Timmy Samuels/ChristkindlmarketPhoto: Timmy Samuels/Christkindlmarket

Get all your holiday shopping done (if you haven’t done so already at the above-mentioned Millennium Park Art Market or Lincoln Square/Ravenswood and Roscoe Village holiday fests) at boisterous markets that also offer food and drink. There’s the ever-popular, German-themed Christkindlmarket in Daley Plaza, Naperville, and Milwaukee (November 16-December 24). Discover locally crafted artistic wares at Bridgeport’s Renegade Craft Fair (December 1-2), handmade crafts at the One of a Kind Show in Merchandise Mart (December 6-9), unique vintage goods at the West Loop’s Randolph Street Market (December 15-16), and tasty foods at the Sauced Night Market Before Xmas in the Chicago Athletic Association Hotel (December 6).


Holiday Productions

The Joffrey Ballet's new Nutcracker. Photo: Cheryl Mann/Joffrey BalletPhoto: Cheryl Mann/Joffrey Ballet

There are the classics: the Goodman Theatre’s perennial production of Charles Dickens’ A Christmas Carol (November 17-December 30), numerous performances of Handel’s Messiah (including one by the Chicago Symphony Orchestra, December 20-23), the Joffrey Ballet’s reimagined production of The Nutcracker(December 1-30; be sure to check out our documentary and website about the making of the new production). If you want to take part yourself, try a Dance-Along Nutcracker at the Chicago Cultural Center (December 2), where you can learn basic ballet positions an hour before, or a Do-It-Yourself Messiah at the Harris Theater (December 18-19). For something a bit different, try the inventive Lookingglass Theatre’s music-filled, acrobatic adaptation of Hans Christian Andersen’s The Steadfast Tin Soldier.

Chicago
Holidays

The CTA Holiday Train and Bus Are Returning!

$
0
0
The CTA Holiday Train. Photo: CTA
Photo: CTA

It's a magical moment: you're shivering in the cold on a high, exposed "L" stop, annoyed by the tedium of your commute. And then: lights, colors, music, Santa! It's the CTA Holiday Train! Starting next Friday, November 23, the Holiday Train will be riding the rails throughout the city, bringing joy and cheer to shivering commuters. And on Tuesday, November 27, the Holiday Bus begins its monthlong stint shuttling passengers and granting photo opportunities with Santa. Find the schedule for both the bus and the train here.

The bus, with its antlers and glowing red nose on the outside and Santa's workshop and colored lights on the inside, has only been running for the previous four years. But this is the 26th year of the train, which consists of six cars and a Santa's Sleigh in the middle (more cars are added with the Elves' Workshop train on Saturdays). The tradition begain in 1992 when an out-of-service train being used to deliver food to charities on the Blue Line was decorated with a sign proclaiming "Season's Greetings from the CTA." The decorations are much more elaborate now, and you might even get a candy cane. 

The train generally operates in the late afternoon and the evening. CTA advises that you try to board near the beginning of a route, as the train becomes especially crowded, especially on days when you can take a picture with Santa. You can see where the train is using the CTA Train Tracker, where it will be denoted with a candy cane. 

The CTA Holiday Bus. Photo: CTAPhoto: CTA

Holidays
Chicago
CTA

'The Durrells in Corfu' Recap: Season 3 Episode 8

$
0
0
Spiro (ALEXIS GEORGOULIS), Louisa Durrell (KEELEY HAWES), Margo Durrell (DAISY WATERSTONE), Gerald Durrell (MILO PARKER) & Lawrence Durrell (JOSH O’CONNOR) in The Durrells in Corfu. Photo: Joss Barratt for Sid Gentle Films & MASTERPIECE
A circus comes to town, bringing a new prospect for Larry and a hobby for the rest of the family. Photo: Joss Barratt for Sid Gentle Films & MASTERPIECE

The Durrells in Corfu airs Sundays at 7:00 pm and is available to stream. Read our recap of the previous episode here.

Spyros has firmly left his spell of depression behind – in fact, he seems almost happier now than he was before his wife left him. He and Louisa are spending most of their time together, cautiously flirting and flashing smiles at each other. Perhaps their long-tamped-down feelings will finally blossom into acknowledged romance.

The other Durrells are having much less luck in love. Zoltan is behaving oddly around Margo; she suspects he’s being unfaithful. To distract herself, she has decided to take up a new hobby. A traveling circus has come to Corfu, and she will contribute an act – not that she knows what it will be yet.

Leslie has finally fallen in love with Daphne and become excited about having a child with her. He proposes to her with a wooden ring that he made himself. But, although she says yes, she seems upset and runs off. Leslie goes to ask Margo for advice but finds Florence instead. When she asks how many months pregnant Daphne is, then remembers that it’s seven months – her husband is the one who examined Daphne – Leslie becomes angry. The child isn’t his. He only slept with Daphne five months ago.

Leslie confronts Daphne, and she admits that he is not the father. The real father abandoned her. But she still loves him and wants to marry him, if he will have her. A baby needs a father, and he would be a great parent. Leslie needs time to think.

Daphne (ELLI TRINGOU) & Leslie Durrell (CALLUM WOODHOUSE) in The Durrells in Corfu. Photo: Joss Barratt for Sid Gentle Films & MASTERPIECELeslie has finally accepted Daphne's pregnancy and is ready to take the next step. Photo: Joss Barratt for Sid Gentle Films & MASTERPIECE

Larry, meanwhile, has begun a torrid affair with a striking contortionist from the circus. (Her flexibility lends itself to many innuendo-laden jokes.) The circus is struggling: they aren’t selling tickets, and several acts have left them. So the contortionist asks the Durrells to help. Louisa, who loves a good circus, eagerly accepts. She and Spyros set off in his car, flying a banner advertising the show.

The other Durrells decide to contribute acts. Margo continues to search for her talent and hits upon magic. But her practice attempt to levitate Gerry fails, so she turns instead to a trick with Leslie. He’ll shoot her, and she’ll catch the bullet in her mouth. Gerry is eager to see the circus’s trained animals – as long as they are treated properly – and offers some of his own creatures to participate. Larry will do nothing, except lust after the contortionist. He is at least contributing in some ways to the Durrells wellbeing, by writing entirely fictionalized accounts of Corfu for the press back in England.

When the evening of the circus rolls around, he does end up taking part. The woman who plays the “talking head” gets into an argument with the ringmaster and refuses to perform, so Larry is enlisted to take her place. As he babbles on in front of the audience, Louisa and Spyros, who have been edging ever closer throughout the performance (even during Margo’s death-defying but ultimately successful stunt), almost kiss – and then the ringmaster interrupts them.

They finally acknowledge their love, albeit obliquely. He tells her that he can’t say he loves her while she’s still married, but she should imagine it. “I have, many times,” she responds. He calls her Louisa for the first time.

Spiro (ALEXIS GEORGOULIS), Louisa Durrell (KEELEY HAWES) in The Durrells in Corfu. Photo: Joss Barratt for Sid Gentle Films & MASTERPIECEThe romance and Spyros and Louisa finally seems ready to flare into life. Photo: Joss Barratt for Sid Gentle Films & MASTERPIECE

While that romance begins to flare to life, Margo’s dies. Zoltan has been called back to Turkey to attend to the family business; his father refuses to let him stay in Corfu. He thought he would make Margo hate him by being standoffish, rather than admit the real reason they have to break up. Having done that stupid thing, he redeems himself by bringing her “genuinely the best present I’ve ever had” as a goodbye gift: a model of the Durrells’ Corfu home that he made himself, and furnished with dolls of himself and the ghost of Aunt Hermione, so that they remain in her life. She gives him one of her bras.

Leslie is ready to take the next step in his relationship – but then Daphne tells him that the real father of her child has returned, and has promised to stay. Leslie cannot marry Daphne after all. He had finally made up his mind, and now his choice has been taken away from him.

Even the one the relationship that was going well quickly has the rug pulled out from under it. Spyros’s wife has returned to Corfu with the children. Louisa is once again Mrs. Durrells to her. She’s absolutely heartbroken.

Luckily, she has a distraction. Larry’s articles about Corfu have borne “unexpectedly heavy fruit,” in his words. A bevy of English tourists has read them and decided that they want to experience the wonderful delights of Corfu for themselves. And since Larry mentioned the large home that he and his family live in, they figured that they could stay there. Louisa is initially aghast – until her excited children remind her that they can charge the tourists for room and board, thus solving their money problems. Anyway, one of their most distinguished visitors is leaving with the circus: Frank the sloth is going back to his natural habitat with the animal trainer. It's time for him to go home.

masterpiece
Durrells in Corfu
Recap

'Poldark' Recap: Season 4 Finale

$
0
0
Aidan Turner as Ross Poldark. Photo: Mammoth Screen for BBC and MASTERPIECE
Photo: Mammoth Screen for BBC and MASTERPIECE

Poldark is available to stream for a short time. Recap the previous episode here.

We open in October 1780 – a festive party at Trenwith is in full swing. Aunt Agatha (still alive and kicking) is celebrating her birthday, Francis hasn’t yet drowned, Verity hasn’t yet married, and a ponytailed George and Cary seem a bit overwhelmed to be there. A youthful Ross, sans his yet-to-be facial scar, is about to enlist as one of Those Redcoats in our Revolutionary War. Agatha and Verity try in vain to dissuade him, but Ross assures them that he’ll be back in no time. Elizabeth, her two marriages in the future, has eyes only for Ross, and they dance as Francis and George watch enviously; she is clearly out of their league. And now, back to October 1799…

…where Demelza, in Cornwall, and Ross, in London, are each waking up alone and troubled.

Elizabeth, desperate to patch things up with George and safeguard Valentine’s inheritance, consults a backstreet London doctor to arrange for the fetus she is carrying to arrive two months early. The doctor hands over a potion of “herbs and a fungus that grows on rye” that will immediately bring on labor. If there are any complications, he cautions, she must come clean to her own physician.

Caroline convinces Ross to return to Cornwall with her. In the coach, she watches as Ross somberly replays the duel in his mind, only this time his opponent is not Adderley, but a steely-eyed Armitage. Caroline assures him that Demelza “would never spare a thought for a worthless rake like Adderley.”

Another coach is enroute from London; it’s George, a very pregnant Elizabeth, and Valentine. George is still convinced that Valentine isn’t his son, and pointedly ignores him. He will stay in Truro, he tells Elizabeth icily; he doesn’t care where she goes.

In the old cave shrine, Drake encounters Morwenna, who sees him and flees. Drake goes after her, delivering a heartfelt speech: “carnal love” is not that important; she can be his wife “in name only.” Reluctantly, she goes to him. Later, Demelza and Sam arrive at Drake’s cottage, surprised to find Morwenna there. Drake is over the moon: Morwenna has agreed to marry him! Demelza and Sam are thrilled for Drake, who wants the wedding to happen fast or his skittish bride-to-be will bolt. Drake and Demelza ride off to Bodmin to apply for an expedited license.

Hearing the news, Elizabeth seeks out Morwenna at Drake’s home. Morwenna is still wary, and Elizabeth attempts to apologize for all things Ossie. She suggests Morwenna be married at Trenwith, but Morwenna rightly wants George nowhere near it. Elizabeth assures her that he won’t be around anytime soon. She might be wrong: cut to George at the bank as he receives a letter from Prime Minister Pitt. It seems important, and he departs quickly.

Harry Richardson as Drake and Eleanor Tomlinson as Demelza. Photo: Mammoth Screen for BBC and MASTERPIECEDrake's life may finally be looking up, if George doesn't ruin it first. Photo: Mammoth Screen for BBC and MASTERPIECE

Morwenna, taking in Elizabeth’s pregnancy, reluctantly agrees to walk her back to Trenwith where Elizabeth then persuades her to stay for dinner. Meanwhile, Demelza and Drake, returning with the license, are alarmed to learn of her whereabouts from Sam. In the midst of an argument about who will go after her, Ross suddenly appears. He will go – “this is one marriage that [George] will not be allowed to interfere with.”

In the midst of dinner, George unexpectedly arrives at Trenwith and, learning that Morwenna is to marry Drake, throws her out of the house, ordering his servant Harry to “see her out.” Elizabeth, mortified, glares at George and storms out.

Drake decides to go after Morwenna despite Ross’s warning. Meanwhile, Ross, at Trenwith, politely inquires about her. George rages at him, they have words, but Elizabeth directs Ross to the woods…

…where Morwenna is making her way back to the village alone in the dark. Harry and other servants, as always taking George’s directives too literally, pursue her with snarling bloodhounds. Suddenly, Drake appears between them and Morwenna, brandishing a big stick, and drives them off. She will be safe now, Drake tells her soothingly. Her resolve crumbles, and she clings to him, sobbing.

Back at Trenwith, George tries to make amends with Elizabeth, but bitterly admits he still doubts Valentine’s parentage. Left to her own devices, Elizabeth resolutely swallows a big spoonful of the shady doctor’s serum. Later, George finds her out cold on the floor and summons Dwight, who quickly delivers her of a premature but healthy baby girl. Elizabeth’s ruse has worked: after two premature births, George is now convinced that Elizabeth has been truthful about Valentine. They name the infant Ursula, or “little she-bear.” George gleefully informs Elizabeth that he is being knighted, and things have never been better between them.

Ross, reunited with Demelza, admits that the duel with Adderley was “not well done.” Demelza concedes that she shouldn’t have come home without him, and they call a truce. Dwight and Caroline, likewise back together, hope they have come to a workable “London/Cornwall” compromise.

The next morning, Elizabeth wakes in excruciating pain. Dwight arrives in haste at Trenwith to find Dr. Choake cowering and George frantic. To his horror, he discovers that Elizabeth’s fingers and toes are swollen and dark purple – her circulation has been cut off. The cause is a mystery, but her condition is tragically obvious to both doctors: gangrene. Later, George sits by Elizabeth’s bedside, holding her purple hand. As her vision fades and she tells a devastated George that she’s “afraid of the dark,” Dwight finds the vial, sniffs at the contents, and realizes what Elizabeth has done.

Eleanor Tomlinson as Demelza and Aidan Turner as Ross Poldark. Photo: Mammoth Screen for BBC and MASTERPIECEThough they have been through trying times, Ross and Demelza may finally have come to an understanding. Photo: Mammoth Screen for BBC and MASTERPIECE

Cut to Caroline at Nampara, filling in Ross and Demelza about Elizabeth’s illness. Generously, Demelza suggests that it would be “neighborly” for Ross “to inquire.” Ross arrives at the dark and silent house to find George coming unglued in the foyer. “Elizabeth is dead,” he cries viciously. “See what we’ve brought her to!” Dazed, Ross makes his way up to Elizabeth’s room, kisses her cold lips, and leaves in tears. George still has baby Ursula and they, with Valentine, keep watch over Elizabeth’s body.

Demelza finds Ross at dawn on the cliff’s edge, and he somberly shares the news. “What can I do?” she asks. “Walk with me,” replies Ross.

At Killewarren, Dwight is ruefully contemplating Elizabeth’s empty vial…she was doomed by George’s jealousy and her own indecision. Caroline confesses that she returned to Cornwall for “a different life…a meaningful life…to give life again.” Is she pregnant, or just preparing to be? We don’t know, but we sense they are ready to move forward.

Ross and Demelza likewise talk it out – he finally understands how she felt after losing Armitage, and he’s now terrified of losing her. Demelza assures him that it won’t happen – Armitage “did touch her heart,” but only Ross “has ever owned it.” Cut to…

Wedding bells and flower petals raining down on the newly married Drake and Morwenna leaving the church, followed by Ross, Demelza and the happy congregants. Geoffrey Charles and Verity spot George and Valentine brooding at Elizabeth’s grave, as do Ross and Demelza. Ross starts toward them, but Demelza stops him. “Nay, Ross,” she says. “There’ll be time for such a thing.”

Ross, for once, takes his wife’s advice and they join up with Prudie, their children, and the other well-wishers. Cut to a close-up of the widower George’s steely expression…how will he avenge this loss?

We’ll find out next season.


masterpiece
poldark
Recap

'The Woman in White' Recap: Finale

$
0
0
Jessie Buckley as Marian Halcombe and Riccardo Scamarcio as Count Fosco. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin Pictures
Marian finds Count Fosco the worst of men, even more base than Sir Percival. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin Pictures

The Woman in White airs Sundays at 9:00 pm and is available to stream. Recap the previous episode here.

Sir Percival is having a breakdown. He panics that his scheme to gain Laura’s wealth will be discovered now that she has escaped from the asylum. Worse, he fears his secret will come out, even though Mrs. Catherick is the only person left alive who knows it.

Count Fosco, however, is still confident. He forwards a letter to Marian via her lawyer warning her and Walter that they must return “Anne” – Laura – to the asylum at once. Such a move would be devastating to Laura. She is already suffering from severe trauma, recoiling from the touch of Marian and Walter and almost ending her life by throwing herself off a roof.

Unfortunately, Walter and Marian cannot get Laura medical aid or even prove that she is indeed Laura Fairlie and not Anne Catherick, thus keeping safe from the threat of being returned to the asylum. They lack the funds for a doctor, and getting one might lead Sir Percival and Count Fosco to them. And, as the hardened Erasmus Nash tells Walter, the police “are not interested in empathy but fact.” They will never believe Laura is not Anne based on the evidence that Nash has gathered so far.

So Walter goes to visit Anne Catherick’s mother in the hopes that she might divulge Sir Percival’s secret and thus give Walter leverage over Sir Percival. But Mrs. Catherick is a proud and cynical woman. She reveals nothing, except for an implication that there was something amiss with Sir Percival’s mother.

Encouraged by this hint, Marian writes to churches in the region in which Sir Percival was born to discover where his parents were married. When she discovers the correct parish, Walter goes to examine its registry. He and the clerk realize that it has been tampered with: Sir Percival’s parents were crammed in at the bottom in different handwriting. Sir Percival’s parents must not have been married; he is illegitimate, and thus has no claim to his property or title.

Dougray Scott as Sir Percival Glyde. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin PicturesSir Percival is panicked that his secret will come out, and Walter is determined to uncover it. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin Pictures

Walter entreats the clerk to keep the registry safe while he writes to Erasmus Nash with this news; he will return that evening. But Sir Percival, fearing his secret is not safe, gets there first. He steals the keys to the church and locks the door to destroy the last evidence of his illegitimacy. But the clerk has noticed the missing keys, and he and Walter are approaching. Sir Percival panics and starts a fire to burn the registry. But the church is old; the door’s lock is stuck. Walter and some other men drawn by the growing blaze break down the door, but Sir Percival has already been consumed by the fire.

Back in London, Marian learns of Sir Percival’s death from an unwelcome source: Count Fosco stops her in the street outside her dwelling. He has known where they were hiding the whole time, and now that Sir Percival is dead, he has brought the asylum keeper to put Laura away again – unless Marian promises to prevent Walter from investigating him further. She refuses. Fosco’s menacing threats only end because Erasmus Nash appears.

Nash and Marian tell Laura and tell her of Sir Percival’s death. Although she had often wished him dead, she now forgives him. This unselfish reaction deeply affects Nash; he has not been able to forgive so easily. He did not approve of his daughter’s marriage; he has not seen her since, and now she has a child. But he is too ashamed to go to her now.

Walter visits Mrs. Catherick again to bring her news of Sir Percival’s death. She reveals how she learned Sir Percival’s secret: her husband was the parish clerk, and she stole the keys from him to let Sir Percival tamper with the wedding registry. Why did she help him? Sir Percival knew her own secret: Anne’s father was Philip Fairlie, Laura’s father. Sir Percival blackmailed Philip with his knowledge of that infidelity to force him on his deathbed to promise Laura to Sir Percival in marriage.

Art Malik as Erasmus Nash. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin PicturesErasmus Nash has his own unfinished business in his past. Photo: The Woman in White Productions Ltd. / Steffan Hill / Origin Pictures

The revelation that Anne was Laura’s sister is shocking, but it does nothing to help Walter and Marian prove Laura’s identity, now that Sir Percival is dead. Their only hope is to force Count Fosco to confess to his and Sir Percival’s scheme. Knowing that Fosco was somehow involved in politics in his native Sicily, they decide to approach Walter’s friend Pesca for information – who originally recommended Walter for the job that led to him meeting Marian and Laura. Pesca, too, was involved in Sicilian politics; perhaps he knows something about the Count.

Walter brings Pesca to an opera that he knows Fosco is attending. The two Sicilians spot each other, and Fosco seems afraid. Pesca explains why: both were members of an underground political society, but the Count betrayed it and fled. The conventions of the society demand that such a traitor be killed.

Armed with this threat, Walter confronts Fosco at his manor. He is welcomed by a drawn pistol, but warns that Pesca is waiting outside. If Walter doesn’t emerge safely, Pesca will avenge him. Walter demands that Fosco confess. In exchange for a promise of a safe exit from London, the Count admits to faking Laura’s death in order to defraud her of her wealth by sending her to the asylum as Anne while passing off the dying Anne as Laura.

With this testimony committed to writing by Erasmus Nash, Walter finally has the evidence he needs to confirm Laura’s identity and save her from the threat of the asylum. Having seen the ordeal through to its end, Nash decides to attend to his own affairs and reconcile with his daughter.

And Count Fosco? He prepares to flee the country. But he is stopped by Pesca, despite Walter’s promise of safety. As the Countess drives away in their carriage, Pesca slits Fosco’s throat.

A better life begins to dawn for Laura. Marian and Walter’s loving ministrations have slowly pulled her from her depression, and when Walter proposes, she is eager to accept. She, Marian, and Walter return to Limmeridge, where they – with the help of the manservant – force her uncle to admit her identity, apologize for turning her away, and bless her impending marriage. That accomplished, Walter and Laura are married, and Walter’s mother joins them at Limmeridge to make a happy family. Marian sets off to see the world on her own. And Anne is given a proper headstone, thanks to her loving sister Laura.


The Woman in White
Recap

Julia Child Teaches You How to Make the Best Turkey

$
0
0
Julia Child with a roast turkey on The French Chef

Most people only make turkeys once a year, and they're notoriously difficult to prepare well (hence the Butterball turkey hotline). Before confronting the culinary challenge this year, get some tips on selecting, trussing, roasting, and carving a turkey from the masterful Julia Child, in this archival episode of The French Chef.

It requires WTTW Passport to watch. If you're already a member, you can activate Passport here. Learn more about Passport here.

Looking for more Julia Child? Check out this archival interview with her on WTTW's Callaway Interviews from 1978.

Julia Child
Holidays

Celtic Woman Concert at Rosemont Theatre

$
0
0
Celtic Woman

Ancient Land is the next chapter of Celtic Woman’s extraordinary musical journey as the group continues to touch the hearts of a huge global audience with the centuries-old Irish tradition of telling stories through song: stories of land, stories of love, and stories of dancing- songs that bring a piece of Ireland to audiences everywhere. Don’t miss their return to Rosemont this April!

Tickets are non-refundable.

event date: 
Sunday, April 14, 2019 - 3:00 pm
Location: 
Rosemont Theatre
5400 N. River Rd.
Rosemont, IL60018
Genre: 
POINT (-87.8643358 41.9762343)
Sold Out: 
false

Dennis DeYoung Concert at Rosemont Theatre

$
0
0
Dennis DeYoung

Legendary Dennis DeYoung is returning to his roots and coming live to the Rosemont Theatre in May of 2019! Dennis is a legendary singer, songwriter, keyboardist, composer, and record producer with a career spanning over 40 years! His voice is one of the most recognizable in the music world today and continues to inspire new generations of fans.....ALL THE CLASSIC HITS….ALL THE MEMORIES…..ONE UNFORGETTABLE EVENING….ONE ORIGINAL VOICE.

Tickets are non-refundable.

event date: 
Saturday, May 04, 2019 - 8:00 pm
Location: 
Rosemont Theatre
5400 N. River Rd.
Rosemont, IL60018
Genre: 
POINT (-87.8643358 41.9762343)
Sold Out: 
false

An Evening with Geoffrey Baer at WTTW Studios

$
0
0
Geoffrey Baer

Join Geoffrey Baer as he discusses what goes on behind the scenes and answers most frequently asked questions. PLUS, you get a very special preview of his newest special, Chicago on Vacation. Hors d'oeuvres & cocktails will be served.

Tickets are non-refundable.

event date: 
Thursday, February 28, 2019 - 6:00 pm
Location: 
WTTW Studios
5400 N St. Louis Avenue
Chicago, IL60625
Genre: 
POINT (-87.7161396 41.9793072)
Sold Out: 
false

Michael Buble Concert at Allstate Arena

$
0
0
Michael Buble Concert at Allstate Arena

Prominent singer/songwriter, Michael Buble is adding Rosemont to his highly anticipated 2019 tour! Don’t miss his return to the windy city at the Allstate Arena.

Tickets are non-refundable.

event date: 
Saturday, March 17, 2018 - 8:00 pm
Location: 
Allstate Arena
6920 Mannheim Rd.
Rosemont, IL60018
Genre: 
POINT (-87.8878048 42.0053001)
Sold Out: 
false

Sarah Brightman in Concert at the Chicago Theatre

$
0
0
Sarah Brightman in Concert at the Chicago Theatre

Don’t miss best-selling soprano, Sarah Brightman's return to Chicago's famous Chicago Theatre on Valentine's Day!

Tickets are non-refundable.

event date: 
Thursday, February 14, 2019 - 8:00 pm
Location: 
Chicago Theatre
175 N. State Street
Chicago, IL60601
Genre: 
POINT (-87.627505 41.8853914)
Sold Out: 
false

Window To The World Communications, Inc. Names Timothy Russell Vice President of Community Engagement

$
0
0

Window To The World Communications, Inc. (WWCI), parent organization of WTTW and WFMT, announced that Timothy Russell will fill the position of Vice President of Community Engagement, effective today. In this new role, Russell will be responsible for crafting and executing community engagement activities for the organization. He was previously Chief Global Diversity and Inclusion Officer for CDK Global, and throughout his career, Russell has been a leader and change-maker focused on community affairs, philanthropy, and diversity and inclusion.

“After a diligent and thoughtful search, we are pleased to have found the best individual to lead our community engagement efforts,” said Sandra Cordova Micek, President & CEO of WWCI. “Tim’s passion and his understanding of the impact WTTW and WFMT can have on the lives of people make him uniquely qualified to build and strengthen true partnerships with communities and organizations across our region.”

In his previous role at CDK Global, Russell led the development and execution of diversity, inclusion, and community investment plans and strategies. Before that, he served as Director, Global Diversity and Engagement for PepsiCo; and he has more than two decades of experience in the public and private sectors – including leadership roles at Sara Lee Corporation and the Robert R. McCormick Tribune Foundation. In addition, he was a Policy Associate for the Chicago Jobs Council and the Assistant Director of the Paternal Involvement Demonstration Project.

“It is a privilege to be a part of an organization committed to diverse perspectives, accessibility, innovation, community engagement, and life-long learning,”said Russell. “I look forward to working with the team and leveraging my experience in community engagement, and diversity and inclusion, to engage audiences and communities across Chicago and beyond.”

Russell’s role will include identifying specific needs in the community, building on existing partnerships, and forming new relationships with relevant influencers, nonprofits, foundations, and business partners to assist in launching programs and services that will have the most profound impact on local constituents, and ensuring that they align with the organization’s strategic plan. He will also serve as WWCI’s liaison to the community, and will work with PBS Education and PBS Learning Media to further activate educational resources in local schools and libraries.

Russell has served on the board of directors of several nonprofit organizations, including Goodman Theatre, the Association of Black Foundation Executives (former Chair), Chicago African Americans in Philanthropy (former Chair), Urban Prep, Muntu Dance Theatre, Paternal Involvement Project, School Street Movement, and the Lorain County Midnight Basketball Program. Currently, he is a board member of the Evanston Community Foundation and Chicago Cares. Tim has received numerous acknowledgements including the Handy L. Lindsey Award for Chicago African-Americans in Philanthropy, and was named one of the Top 100 Under 50 Diverse Executive Leaders by Diversity MBA Magazine.

Russell received his Bachelor of Arts degree in sociology and religion from Oberlin College, earned a Masters of Theological Studies with a concentration in Ethics and Society from Garrett Theological Seminary, and completed a certificate program in Business Administration at Loyola University Chicago. In addition, as an undergraduate, he was awarded a Ford-Mellon Research Fellowship and a Ronald E. McNair Research Fellowship.

About WWCI
Window To The World Communications, Inc. is the parent organization of WTTW and WFMT. WTTW is the PBS member station in Chicago, producing and presenting the very best in public affairs, arts and culture, nature and science, history, documentary and children’s public media content across its distinct television and digital channels – WTTW11, WTTW Prime, WTTW Create/WTTW World, WTTW PBS Kids 24/7, wttw.com and the PBS/WTTW video app. WTTW is recognized for its award-winning journalism and local productions such as Chicago Tonight, Chicago River Tour, Check, Please!, digital-first series Urban Nature and Foodphiles– and national productions 10 That Changed America and Nature Cat. WFMT is one of the country’s most respected classical music radio services, showcasing the finest music programming and live performance, including Live from WFMT and the Chicago Symphony Orchestra Series, across broadcast and digital platforms on 98.7FM, wfmt.com, and the WFMT app. The WFMT Radio Network is a leading creator and distributor of audio arts and culture programs, including Exploring Music with McGlaughlin and the Beethoven Network, made available to radio stations and other content platforms around the world.

Release Location: 
Chicago, IL

Lincoln Park ZooLights and Its More Than Two Million Lights Are Back

$
0
0
Lincoln Park ZooLights. Photo: Lincoln Park Zoo
Over two million lights are used in Lincoln Park ZooLights. Photo: Lincoln Park Zoo

Planning and setting it up take the whole year. Some twenty-two people are required to erect and maintain it. 7,200 working hours are put into it. And it all leads to more than two million lights sparkling, dancing, and brilliantly illuminating the Lincoln Park Zoo for 35 of the darkest nights of the year.

ZooLights, which opened the day after Thanksgiving and continues through January 6 (find the schedule here), is a free-admission, beloved holiday tradition in Chicago, now in its 24th year. Last year, 600,000 people came to see the hundred-plus light displays, watch six to eight massive blocks of ice transformed into trees and animals by chainsaws every night, sip hot chocolate and mulled wine, and visit the animals at a time when it typically wouldn't occur to them. “We want people to have an unforgettable experience and come to the zoo during a time when they normally wouldn’t come, during the winter at nighttime,” says Josh Rupp, the Zoo’s Director of Events. “All the events we put on, including ZooLights, exist only to support the mission of the Zoo and its conservation and education efforts.”

ZooLights zebras. Photo: Lincoln Park Zoo/Julia FullerAnimals from zebras to apes can be found in brilliant LEDs throughout the Zoo. Photo: Lincoln Park Zoo/Julia Fuller

So, despite the enormity of the ZooLights project, all of the displays and lights have to be organized around the animals and their care. “Our first priority is animal welfare,” Rupp says.

And animals, of course, are abundant in the light spectacles: alligators, apes, penguins, polar bears, zebras, and more creatures, all made out of LED lights, appear alongside whimsical holiday tableaux featuring gingerbread, evergreens, and Santa. Inside some of the Zoo’s buildings, such as the Helen Brach Primate House and the Regenstein Center for African Apes, visitors trying to warm up can find vintage ornament-inspired decorations and fun house mirrors, all designed by the Chicago-based firm Ivan Carlson & Associates. New this year are elaborate “dancing” displays set to holiday music on the South Lawn, rechristened the Wonderlawn, along with vivid up-lighting that highlights the Lawn’s natural trees.

ZooLights ice sculpture. Photo: Lincoln Park Zoo/Julia FullerCarvers from Nadeau's Ice Sculptures carve six to eight blocks of ice a month. Photo: Lincoln Park Zoo/Julia Fuller

This being the 150th anniversary of the Lincoln Park Zoo, the east side entrance is extravagantly decked out for maximum impact. Twelve LED peacock feathers, stretching eight feet high, lead the way to an illuminated arch and a #ZooLights sign perfect for Instagram, while the brand-new Searle Visitor Center, which opened the week before Thanksgiving, is worth seeing on its own.

There are also various events throughout the next month and a half, from a holiday market on Tuesday, November 27, to adult-centered nights on November 29 and December 6, to Monday Family Nights and Breakfast with Santa on December 16.

ZooLights. Photo: Lincoln Park ZooThe "Wonderlawn" features "dancing" displays set to holiday songs. Photo: Lincoln Park Zoo

Where do those millions of lights and all those decorations go during the rest of the year? “We try to use every little corner of the Zoo to store things,” Rupp says, laughing. Amazingly, some of the electrical infrastructure required for ZooLights begins coming out over the summer, and trees and parts of the Zoo begin to be wrapped with lights as early as October. “If you look hard enough, you might see some of it,” Rupp says. And while many of the displays return year after year, they might be found in a new location, so that “it’s kind of like an Easter egg hunt for people to find their favorite displays,” Rupp says. “We want to evoke that nostalgia and those fond memories, and create new ones every year.”


Holidays
Lincoln Park Zoo
ZooLights

Angels Too Soon: The Tragic Our Lady of the Angels School Fire

$
0
0
The Our Lady of the Angels school fire in Chicago

WTTW’s Chicago Stories documentary about the Our Lady of the Angels fire, Angels Too Soon, airs Saturday, December 1 at 6:00 pm on WTTW Prime.

It was a bright, frigid Monday, the first day back at school after the Thanksgiving holiday. Like kids everywhere, the young students at Our Lady of the Angels on the West Side of Chicago were eager to get home and play as the school day neared its end. But that December 1, 1958, it was not a carefree afternoon but tragedy that awaited.

As nuns taught their classrooms of 60-odd children that afternoon, the smell of smoke began to permeate the second floor of the school. The heat suddenly increased, and black smoke billowed through the transoms above the classroom doors. When nuns opened the doors to see what was happening, they were confronted by fire raging through the hallway.

Escape seemed impossible. One Sister hurried toward the locked door leading to the school’s only fire escape and grasped for the keys at her waist – but found she had forgotten them in her convent that day. Others led their students in prayer and gathered them near the windows to breathe in the smokeless outside air. The children looked down towards the concrete pavement, two and half stories below them, and weighed their options. Many of them were calling for their mothers. Some decided to jump. “If I was going to get out of there, I had to do it on my own,” one later recalled.

 

One entire classroom – the one led by the nun who had forgotten her keys – did escape, as a priest and the school janitor, Jim Raymond, whose son was in another classroom on the second floor, dashed into the room and grabbed kids, pulling them downstairs and outside to safety. Parents and neighbors had gathered outside the school, while firefighters tried to put out the blaze and climb ladders to rescue children through the crowded windows. Clouds of smoke poured into the sky. Kids were rushed to the hospital. Finally, the fire was extinguished.

Ninety-two children and three nuns died in the Our Lady of the Angels fire. Numerous other children who had jumped from the windows suffered broken and fractured bones and severe burns. There was no psychological counselling; many survivors were urged not to talk about it.

As people grasped for answers as to why this tragedy had occurred, scapegoats emerged: the janitor, Jim Raymond, received threatening phone calls despite saving a roomful of kids, since the fire had started in the basement by barrels of trash; the nuns and priests were criticized for not saving the children.

Blame eventually fell on the city and the Archdiocese for failing to keep schools safe and allowing them to become fire traps. The fire had started in trash barrels in the basement, perhaps lit by a young boy whom suspicion turned on when he was found responsible for a series of arsons in the suburb of Cicero three years later. (He confessed to starting the Our Lady of the Angels fire but then recanted, and a judge ruled him not responsible, perhaps to protect the boy.) The fire burned for almost twenty minutes before anyone noticed it. By then, it had swept up to the second floor through a staircase that acted like a chimney. A closed door on the first floor prevented it from entering that hallway, but an open stairwell on the second let the fire rapidly spread. A simple fire door could easily have prevented the tragedy. A sprinkler system could also have helped.

 

Despite lacking such basic safety measures, however, Our Lady of the Angels was technically up to code. It had passed an inspection only two months before the fire – but, as an older school, it had been exempt from certain new safety requirements.

The city council quickly passed an ordinance requiring improvements to fire safety in schools, such as sprinklers. The tragedy had an effect across the country, too: within two years of the fire, more than 16,000 schools nationwide had implemented major improvements. But in Chicago itself, progress was slow. Nine months after the fire, only two out of the four hundred schools that needed updates had fully enacted them – sprinkler systems and other improvements were expensive. The fire did at least inaugurate important changes in Chicago schools: monthly fire drills, fire alarms connected directly to the fire department.

The greatest lesson of the fire was that it could have been prevented. As the head of the National Fire Protection Association said, there were no new lessons; only old lessons that went tragically unheeded.

Chicago
Our Lady of the Angels

An Evening with MASTERPIECE: Victoria

$
0
0
An Evening with MASTERPIECE: Victoria

On Tuesday, January 8, 2019, be among the first to see the highly anticipated season 3 premiere of Victoria, the popular period drama series about the epic life of Queen Victoria, which will return on Masterpiece on January 13 on WTTW. Stars Jenna Coleman and Tom Hughes will reprise their roles as Queen Victoria and Prince Albert. Season 3 will begin in 1848 as the royal couple faces the challenges of their growing family and worries that the riots and revolutions breaking out across Europe will make their way to England's shores.

For $40, you’ll receive a reservation to this exclusive event! WTTW and Chicago History members receive $15 off reservations. Seats for this exclusive event will go very quickly so reserve your spot right away.

Important Note: WTTW current members should use promo code “WTTWVICTORIA” and Chicago History Museum current members should use the promo code “CHMVICTORIA” when reserving seats on wttw.com.

Please note that there are no physical tickets. Your online confirmation will grant you entrance to the event, and we will have your name and number of seat reservations on a door list on the evening of the event.


In partnership with:
Chicago History Museum

 

event date: 
Tuesday, January 08, 2019 - 5:30 pm
5:30 pm: Light Refreshments & Cash Bar
6:30 pm: Season 3 Premiere Screening
Location: 
Chicago History Museum
1601 N. Clark Street
Chicago, IL60614
Genre: 
POINT (-87.6316716 41.9118171)
Sold Out: 
false

What to Watch in December

$
0
0
Fred and Violet Buckle and Reggie in the Call the Midwife holiday special. Photo: Neal Street Production/BBC
The Call the Midwife Holiday Special. Photo: Neal Street Production/BBC

There’s a huge amount of worthwhile TV out there nowadays, so it can be hard to choose what to watch. But who better to recommend shows than the person who programs them? Dan Soles, Senior Vice President and Chief Television Officer at WTTW, constructs the WTTW schedule by searching through offerings from many different sources which include the national PBS network, the BBC, and independent filmmakers to put together a varied and engaging broadcast schedule. Each month, he’ll recommend a few shows that he thinks you should watch.

Dreaming of a Jewish Christmas

Thursday, December 13 at 9:00 pm

Dreaming of a Jewish Christmas

This is a fun, irreverent look at some of the most iconic popular Christmas songs and their unexpected origins from the pens of Jewish songwriters: Irving Berlin, Mel Tormé, Jule Styne. It’s not only a funny and engrossing documentary revealing some hidden history, it’s also a satisfying dose of nostalgia for the holidays, as it brings you back to the times in which many of these classic songs were written.

Call the Midwife Holiday Special

Tuesday, December 25 at 8:00 pm

The Call the Midwife Holiday Special. Photo: Neal Street Production/BBCPhoto: Neal Street Production/BBC

Airing the Call the Midwife holiday special, which also functions as the premiere of a new season, on Christmas has become a beloved holiday tradition. There’s so much humanity, humor, and compassion in this warm-hearted series, so it’s perfect for the holidays. Plus, it will sate your craving for more of the series for a while longer, before the new season appears in the spring!

NOVA: Apollo’s Daring Mission

Wednesday, December 26 at 9:00 pm

 

Next year marks a huge milestone in space exploration: the fiftieth anniversary of the moon landing. Start the “lunar” year off a bit early with another major event, the fiftieth anniversary of Apollo 8, which laid the groundwork for Apollo 11 by becoming the first spacecraft to leave low Earth orbit and orbit the moon. It also produced two iconic memories: a Christmas Eve television broadcast where the astronauts read from the Book of Genesis, and an unforgettable photo of the earth rising out of shadow beyond the moon.

Great Performances: Leonard Bernstein Centennial Celebration at Tanglewood

Friday, December 28 at 8:30 pm

Andris Nelsons leads the Boston Symphony Orchestra at Tanglewood in a celebration of Leonard Bernstein's Centennial. Photo: Chris LeePhoto: Chris Lee

Last year was the centennial of one of the most engaging and famous musicians America has ever produced, the conductor, composer, and pianist Leonard Bernstein. The anniversary was marked by hundreds of outstanding concerts across the country over the course of the year; watch one of them, featuring the Boston Symphony Orchestra, Yo-Yo Ma, Thomas Hampton, Audra McDonald, and others, at Bernstein’s old stomping ground of Tanglewood.

Dan Soles
TV Highlights
Viewing all 9232 articles
Browse latest View live